Clever Polly and the Stupid Wolf

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Access-restricted-item true Addeddate 2014-07-10 13:29:27.40946 Bookplateleaf 0004 Boxid IA1131821 Camera Canon EOS 5D Mark II City London Containerid S0022 Donor Aww, Look! They Really Do Like Each Other: Despite The Wolf's desire to kill and eat Polly, she doesn't seem to mind having him around. In "The Wolf in the Zoo", she even helps him to escape captivity despite the fact that he tells her he "might or might not" try to kill her again the moment he gets out.

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There were three sequels in the same format: Polly and the Wolf Again, Tales of Polly and the Hungry Wolf and Last Stories of Polly and the Wolf.This is an excellent, humorous book that tells the story of a very clever and witty girl. It consists of 12 chapters, each telling a different short story about a little girl and a wolf whose main desire is to eat her. Many of the stories are based on the wolf’s interpretation of popular fairy tales involving wolves, including Little Red Riding Hood, the Three Little Pigs and the Wolf and the Seven Little Kids. Retelling previous stories allows children to recall and make connections from prior knowledge. Storr (1970), 36 "I wrote them to amuse Polly — not that I told them to her. She read them when I had written them, because she was one of the children who always had a wolf under the bed and she was frightened of it." Why Don't You Just Eat Her? - The wolf keeps coming up with elaborate plans to catch Polly, from disguising himself as the postman to playing a game of 'touch wood' with her (so long as she's touching the trees she's safe.) One wonders why he didn't merely grab her and eat her.

Clever Polly and the Stupid Wolf by Storr Catherine - AbeBooks Clever Polly and the Stupid Wolf by Storr Catherine - AbeBooks

Civilized Animal: The Wolf. He has an appreciation for fine cuisine. Helped by Derek Griffiths' portrayal of him in the audio recording.

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Storr's books often involve confronting fears, even in the lighthearted Polly stories, and she was aware that she wrote frightening stories. [9] On the subject, she writes: [10] "We should show them that evil is something they already know about or half know. It's not something right outside themselves and this immediately puts it, not only into their comprehension, but it also gives them a degree of power".